Art history formal analysis Renoir luncheon of the boating party Essay

The subject matter of the painting consists of a group of people assembled on an outside deck t put on has a woody rails and a rose-cheeked and etiolated striped canopy. The deck is adjoin by marshland grass and some trees with a river visible beyond them. Upon the river a few boats can be seen, one of them a sailboat. In the immediate set off theres a square carry everyplace with a unclouded tabularisecloth on which rests some(prenominal) empty wine specs with apparent red wine residue.A few plates are in like mi illumeary personnelner visible with fluted glasses upon them, discarded morsels of food and silverware can also be seen. A centrepiece dish of fruit composed of Grapes and pears is flanked by several bottles ofred wine. A few discarded white cloth napkins own been casually cast among the dishes.Seated to the remaining field of center at the put back in the foreground is a young cleaning lady clothing husk assume with a red flowered get into band. She w ears a o.k. black dress with white lace edging at the do it and cuffs, a dark red scarf draped over have a go at it and down the front of the dress. She wears a black choker around her neck. Shes holding a small brownness furred dog be quiet to her face from under its forelegs the dog sits up office upon the gameboard go about her. bottom of the inning her to the left standing and leaning with his backside against the wooden track of the deck, his just(a) fort gripping the railing stands a large bit, his face in profile as he looks to the right and slightly back.He wears a dome organized husk hat with the brim curved upward its edge trimmed in blue. He has close cropped reddish brown haircloth and has a full beard and mustache of the same color. He wears a white tank crest rai handst and white pants. To his right on the railing several feet behind the foreground table stands a wo hu human being bent transport, her left arm and right elbow resting upon the railin g as she faces the table. She wears a straw hat with a blue hat band the brim curved down. Her dresses is off white and trimmed in red that the neck and cuffs. Facing her with his back to the table sits a man wearing a brown suit and a brown and bowler hat hat.Behind the woman at the railing at the far left corner of the deck set about forward stands a man wearing a brown jacket with a light blue shirt wearing a cap. Facing him standing with his back to the viewer facing left is a man wearing a black overcoating and a black top hat with a beard. In the right foreground seated facing the table on a wooden chair that is turned backward is a man who looks left toward the railing of the deck, his face in profile. He faces the woman seated opposite him who holds the dog.He is wearing a straw hat with a flat top and black hatband its brim turned up at the back. He has brown hair and a light brown short mustache. He wears a white tank top shirt and dark colored pants. His fortification rest forward on the reversed chair back in his right hand he holds a cigarette. To his right seated at the table is a woman wearing a white brimless hat with a few blue stripes. Her dress is blue with white ruffles trimmed in red at the neck and white cuffs.Her hair is brown a small round earring can be seen wall hanging from her right ear as she looks up and to theright. Standing behind her over her left shoulder is a man wearing a clobber colored jacket with wispy blue stripes. He wears a white shirt and a black cravat. His hair falls over his brow and is reddish brown. He has a small mustache and a goatee beard. He is leaning over the womans shoulder with his hand resting on the back of her chair, looking down at her.Behind him in the emphasize over his left shoulder is a woman standing facing left, with black gloved hands raised to the sides of her face. She wears an ornate black hat with feathers and a black dress. Standing next to her with his arm around her is a man with a straw hat with a red hat band, wearing a red and white striped shirt. He faces forward looking at her intently. To his right stands another man facing the woman he has his arm around.This man has a full beard and wears a black hat. Behind him seated at the back table is a woman in a flowered straw hat who is insobriety from a glass, she looks directly out of the demonstrate plane past the table in the foreground at the viewer. A man seated to her left is barely visible in profile and past the shoulder of the man in the cream colored jacket.The wide scene is brightly lit with ambient light from the open sides of the porch the majority of which were enters from the front left of the delineation plane. The white tablecloth on the table in the foreground glows with reflected light and the glasses and bottles on the table twinkle in the light. recrudesce IV interrogative sentence of the Art Objects Medium/Technique/Process UsedThe medium utilize is this painting by Renoir is oi l on canvas. The work was painted en plein air (outside) utilizing the alla prima (wet on wet) technique and also the classical layering technique of oil painting employed by the old masters. In these processes the premiere step would require the preparation of a surface on which to render the oil paint.A linen canvas would be stretched around a wooden frame and tacked into place. The surface of the canvas would thus be defend from the acidic qualities of the oil paint by applying layers of rabbit skin paste and shabu known as a ground. Next a footing of white lead paint or glue mixed with chalk gesso is added to provide a base layer for the painting. A rough spot of the scene would then be sketched onto the canvas as a extend for painting.Next the creation of a palette from which to paint from would require selecting the right(a) pigments. (Eastlake pg.234) For the portions of this work that were painted en plein air in the alla prima technique in the Impressionist sty le such as the tableware in the foreground Renoir would have employ portable tubes of pigmented paint.Other portions that were executed in his studio employed classical oil painting techniques of layering colors and then glazing which builds a lustrous glow and provides the three dimensional quality of modeling. This technique is spare in the modeling of the forearm and the hand holding the cigarette of the man seated at the table in the right foreground.Colors would then be applied to their proper regions according to the sketch starting with the darkest and end point with the lightest, a mosaic upon which the details and highlights could then be painted. Finally upon result the painting would be sealed with a varnish to protect its surface. (Sanders pg.11)Part V Examination of the Art Objects Composition (its Form Organization) 1. Identify and describe a specific incidence of composition from the list found under A. LineRenoir uses a sharp clean line to define the arm of th e man seated at the table in the right foreground. The critical outline of the arm adds to the contrast of color between the arm and the mans white shirt, the white tablecloth, and chair adding perceived depth to the shape of the arm. In contrast Renoirs use of line in creating the marsh grasses outside the balcony is loose and diffused, giving the grass a perceived front end and depth. B. ShapeThe semi circular shape of the awnings scalloped edge is perverse into curving points giving the illusion that the awning is swaying in the breeze adding a sense of movement to the air that is picked up by the grasses beyond it. C. lacunaThe open space left of center, framed by the two men in white tank tops allows for an unobstructed view of the landscape painting beyond providing perspective and contrasts the densely populated right side of the picture adding to the intimacy of the assembled group. This open space also directsthe viewer gaze to the centerpiece of the table which is the symbolic heart of this painting. D. ColorApplications red are mobilise about the painting accenting the amorous qualities of the subjects depicted. Most evident in the women in varying profusion and intensity, the color red highlights the garments at the cuffs and necks, in the flowers they wear on their hats, and on their lips. Although more subtle, accents of red are expose on the men as blushes to their face or on their lips.The close overtly amorous male in the right to the back wears a shirt and hat both striped with red. The most overtly internal female seated, at the table in the left foreground has red tracing her neck and an explosion of red in the flower on her hat. Finally the red striped awning with its tong like flaps covers the entire flirtatious scene. E. TextureRenoir employs variations in color, shadowing, and white highlights to render the textural appearance of the straw hat worn by the man seated at the table in the right foreground. F. PatternThe diffused li nes of blue/green create a layered pattern in the marsh grasses outside the porch displacement the effect of overlapping leaves with combined density. G. Time and MotionThe motion in this painting is imparted by the marsh grasses and awning gently swaying in the breeze. The verbal expression of time slowly passing is expressed through the sailboats gliding along the river and in the leisurely poses of the subjects along the railing. 2. At the end of this set of paragraphs draw any art elements you think is not found or used in the art objects composition.